- PREVIOUSLY ON WHITE COLLAR...
- THE MOSCONI CODEX.
THIS IS NO ORDINARY BOOK.
- I THINK HAGEN IS USING YOU.
THE ONLY CHANCE WE HAVE OF GETTING A LEG UP ON HIM
IS BY DECIPHERING THE CODEX FIRST.
- NEAL TOOK OFF, DIDN'T HE? - YEAH, HE SURE DID.
- FIND OUT WHERE HE WENT.
- SURVEILLANCE CAMERAS A BLOCK FROM THE VODKA ROOM
LED US TO A CABBIE.
IS THERE ANY REASON HE'D SLIP AWAY TO COME HERE?
- NEAL ALWAYS HAS A REASON.
YOU OKAY?
- I CAN'T EXHALE UNTIL I HEAR YOU
WALK THROUGH THAT DOOR AT NIGHT.
- AGENT SIEGEL'S MURDER
WAS A RANDOM ACT OF VIOLENCE.
BUT IT'S NOT GONNA HAPPEN TO ME.
I PROMISE.
- BUT THE CODEX HAS BEEN HIDDEN AWAY
ITS ENTIRE EXISTENCE.
HOW DID YOU GET A COPY?
- OUR COPY OF THE CODEX IS INCOMPLETE.
- HOW MUCH DO YOU HAVE?
- A SINGLE CHAPTER.
IT'S CHAPTER 13.
- IN ALL THE BOOKS HE EVER PRODUCED,
HE NEVER WROTE A CHAPTER 13.
- HAIRCUT, NEW SUIT.
WHAT'S THE OCCASION?
- ON THIS VERY DAY,
I WALKED INTO A DOWNTOWN ART GALLERY
AND FIRST LAID EYES ON MY FUTURE WIFE.
- AH, ROUTINE ART CRIME INVESTIGATION
TURNS INTO THE LUCKIEST DAY OF YOUR LIFE.
- I AGREE.
AND TO CELEBRATE,
WE'RE GOING TO THE SAME RESTAURANT
WE WENT TO ON OUR FIRST DATE.
- PAPAYA KING?
- LA CUCINA DE TUA NONNA.
RED SAUCE, WINE IN STRAW BOTTLES.
- NAPKIN TUCKED INTO YOUR COLLAR?
- I'M MAKING IT A POINT TO REMEMBER ALL THE ANNIVERSARIES.
BIRTHDAYS, WEDDINGS,
THE DAY WE BROUGHT SATCHMO HOME FROM THE BREEDERS.
- I IMAGINED A STORK DELIVERY.
- DECEMBER 7TH. - PEARL HARBOR DAY?
- ANOTHER DAY THAT WILL LIVE IN INFAMY.
FIRST TIME I ARRESTED YOU.
- HMM, AND FOUR YEARS LATER WE DID IT ALL OVER AGAIN.
- YEAH. - BUT THIS TIME,
YOU GAVE ME JEWELRY. - [chuckles] OH.
WHICH IS WHY I ASKED YOU TO MEET ME HERE.
I REMOVED YOUR ANKLET
FOR OUR UNDERCOVER OPERATION AT THE VODKA ROOM.
SOON AFTER, I FOUND THIS.
- DON'T WE HAVE HUNDREDS OF THOSE BACK AT THE OFFICE?
- I HAVE A HUNCH THIS HAS SPECIAL SIGNIFICANCE.
OFFICE BUILDING, 56TH STREET.
GRAVICH CHIROPRACTIC.
- OUR NEXT CASE.
- COULD BE MINE.
- I'M HERE TO HELP.
- YOU CAN GO HOME NOW.
- THIS YEAR, SKIP THE STRAW BOTTLE WINE.
SPRING FOR SOME SANGIOVESE.
- I'LL ORDER WHAT I ALWAYS ORDER.
I DOWNLOADED IT TO MY PHONE SO I'D ALWAYS HAVE IT WITH ME.
- I STILL LOVE ITALIAN.
- I STILL LOVE YOU.
SO AM I THE FIRST GUY YOU EVER MADE A SIGN FOR?
- IT WAS THE FIRST SIGN THAT DIDN'T SAY "GO AWAY."
- OH, IT WOULDN'T HAVE DISCOURAGED ME.
- DID YOU EVER THINK WHERE YOU WOULD BE
IF YOU DIDN'T WALK INTO MY GALLERY THAT DAY?
- NOPE. NEVER.
TOO SCARY TO THINK ABOUT.
- HOW'S WORK GOING? GETTING ANY BETTER?
- YEAH, WE ADDED SIEGEL'S PICTURE TO THE HONOR WALL.
THAT WAS SOMETHING, AT LEAST.
HEY, WHAT KIND OF CELEBRATION IS THIS?
GLASSES ARE ALMOST EMPTY. - THANK YOU.
- SCUSI. - OH.
WE DIDN'T ORDER THESE.
- WHAT'S WRONG? DO YOU KNOW HER?
- I THINK I DO.
THAT'S JILL.
- JILL.
- FROM QUANTICO.
- OH, THAT'S JILL?
- RIGHT. MY EX-GIRLFRIEND.
- PETER. - YES.
- IT'S BEEN A LONG TIME.
- [laughs nervously] 20 YEARS LONG.
I NEVER THOUGHT I'D SEE YOU HERE, TONIGHT.
- I HUNTED YOU DOWN.
- OH.
THIS IS MY WIFE, ELIZABETH.
- IT'S GREAT TO MEET YOU.
UH, WAIT, I'VE INTERRUPTED SOMETHING.
- OH, NO.
THIS IS JUST AN AVERAGE TUESDAY NIGHT FOR US, RIGHT?
COME ON, SIT DOWN. JOIN US.
- OKAY. - OKAY.
OKAY.
[chuckles]
SO, UM, WHAT ARE YOU DOING IN NEW YORK?
- I'M ON A CASE. THOUGHT I'D LOOK YOU UP.
- HOW'D YOU FIND ME?
- THAT'S WHAT I DO, PETER.
- YOU STILL IN SSG?
- LAST TIME I CHECKED IN.
- WHAT'S SSG?
- SSG: SPECIAL SURVEILLANCE GROUP.
WE TRACK DOWN THE BAD GUYS, FOLLOW 'EM,
RECORD 'EM IF WE CAN.
- SOUNDS FASCINATING.
- YOU STILL DRINK BOURBON? - ON OCCASION.
- WELL, THIS IS A DAMN SPECIAL ONE.
HOW ABOUT YOU?
- SURE, WHY NOT?
- REMEMBER OUR TOAST?
- TRUTH, JUSTICE...
- AND STAY OUT OF OUR WAY.
[rock music]
*
- HERE IT IS.
- EVERY TIME I PASS THIS HOUSE
I WAS TEMPTED TO KNOCK AND ASK FOR A LOOK INSIDE.
- OH, YOU SHOULD HAVE.
MY LANDLADY WOULD HAVE INVITED YOU IN FOR COFFEE.
- GOD, IT'S LIKE A GOOD BOOK I'M FINALLY GETTING TO READ.
I CAN'T BELIEVE YOU LIVE HERE.
- WELL, I JUST RENT THE EPILOGUE.
CAN I GET YOU A GLASS OF WINE?
- FBI AGENTS ARE ALLOWED TO DRINK ON THE JOB?
- WELL, WE'RE ALWAYS ON THE JOB.
WHAT CHOICE DO WE HAVE?
AND NOW THAT YOU'RE JOINING US,
I'M GONNA CORRUPT YOU TOO.
- THANK YOU. - MM-HMM.
- SO WHERE'S THIS PHANTOM CHAPTER 13 OF YOURS?
- RIGHT HERE.
- IT CAN'T BE.
- WHY? WHAT'S WRONG?
- WHAT'S WRONG IS THAT IT'S RIGHT.
IT'S--IT--IT'S A MOSCONI, BUT THAT'S IMPOSSIBLE.
THAT WOULD MAKE IT THE ONLY CHAPTER 13 THAT HE EVER MADE.
- WELL, IT WAS COPIED DIRECTLY FROM THE CODEX
AT THE GERSHON MUSEUM.
- IT IS HIS HANDWRITING.
THIS IS CRAZY.
AND THIS.
HERE.
- IT'S A STUDY FOR A PAINTING.
- THAT HE DIDN'T PUT ON CANVAS
UNTIL A YEAR AFTER THIS WAS PUBLISHED.
SO THESE PAGES, THEY COULDN'T HAVE BEEN DONE BY ANYONE ELSE.
AND THIS HAS TO BE FROM HIS NEW YORK PERIOD.
- 1886.
HE WAS HERE LESS THAN A YEAR.
FBI ART CRIMES DATABASE.
MAYBE HE WROTE HIS ONLY CHAPTER 13 IN NEW YORK AS WELL.
- WELL, MOSCONI RUSHED BACK TO ITALY IN A HURRY.
THE WHY HE RAN IS A MYSTERY.
- AND THE BOOK HE LEFT US IS MORE OF A WHAT THAN A WHY.
- HE WAS A PUZZLING MAN WHO LOVED PUZZLES.
SEE, MOSCONI BELIEVED THAT IF SOMEONE WANTED THE TRUTH,
THEY SHOULD HAVE TO SEARCH FOR IT.
WHAT--WHAT ARE YOU DOING?
- IF THIS BOOK IS A PUZZLE, MAYBE THESE ARE THE PIECES.
LOOK AT THAT.
COME HERE.
- OH, MY GOSH.
- HERE'S ONE.
WHERE'S THE MIDDLE?
IT'S GOTTA BE HERE SOMEWHERE.
- IT'S INCREDIBLE.
- IT LOOKS LIKE A STAINED GLASS WINDOW.
BUT IF HE WROTE CHAPTER 13 WHEN HE WAS IN NEW YORK,
THIS STAINED GLASS WINDOW
COULD BE RIGHT HERE IN MANHATTAN.
- DO YOU--DO YOU REALIZE WHAT YOU'VE JUST DONE?
- MADE A MESS OF THE CODEX?
- NO, I-I THINK YOU MIGHT HAVE JUST MADE
ONE OF THE MOST IMPORTANT DISCOVERIES
ON MOSCONI IN DECADES.
- AH, WORKING INTO THE NIGHT?
IMPRESSIVE.
YOU SHOULD KNOW THE FBI FROWNS ON OVERTIME.
- UH, WE--WE'VE MADE INCREDIBLE PROGRESS, SIR.
- YES.
- I'M GONNA LET AGENT CAFFREY FILL YOU IN.
- SURE. - YOU KNOW, I'M GONNA...
RESEARCH THIS WINDOW.
SEE IF I CAN FIND OUT WHERE IT IS.
- YEAH, I'LL PUT MY FBI RESOURCES ON IT AS WELL.
WE CAN SEE WHO FINDS IT FIRST.
- 'KAY.
- WHAT?
- YOU, BUSINESS, AND WOMEN-- THE UNHOLY TRINITY.
- REBECCA IS ALL ABOUT THE BUSINESS OF THE CODEX.
- OH, LIKE I'VE NEVER SEEN THIS BEFORE.
KATE, ALEX, SARAH.
NOW REBECCA.
THERE'S MORE BEHIND THIS THAN THE CODEX.
- SO YOU'RE AN EXPERT ON ROMANCE NOW?
- ONE WHO HAS LOVED NOT WISELY, BUT TOO WELL.
- OTHELLO.
- YEAH. WE ALL KNOW HOW THAT TURNED OUT.
- YOU OKAY?
PRETTY QUIET ON THE WAY HOME.
- WELL, I DIDN'T WANNA BREAK THE SPELL.
- OH, LOOK, HONEY.
JILL CHALLENGED ME.
YOU KNOW THAT I DIDN'T ENTER QUANTICO
ALL THAT SURE OF MYSELF.
BUT SHE TRIED SO HARD TO BEAT ME
THAT I WORKED MY BUTT OFF TO BEAT HER.
AND-- - LOOK AT YOU NOW.
- NO, THAT'S NOT WHAT I MEANT.
IT'S--IT'S JUST THAT I NEVER THOUGHT
THAT I COULD FINISH AS HIGH AS I DID.
YOU KNOW THAT.
YOU'RE THE REASON I'M THE MAN I AM TODAY.
- CONTINUE.
- HMM.
I COULDN'T HAVE GOTTEN THROUGH THIS PAST YEAR WITHOUT YOU.
OR...ANY YEAR.
- YOU KNOW, IT'S STILL OUR ANNIVERSARY.
- I WAS HOPING YOU'D SAY THAT.
THANK YOU, DETECTIVE.
RIGHT, WELL, LET'S HOPE IT DOES.
BYE. WE'LL TAKE IT FROM HERE.
THAT WAS NYPD.
TWO DAYS AGO SOMEONE IN BROOKLYN COMMANDEERED A VEHICLE
POSING AS AN FBI AGENT.
YESTERDAY HE STRUCK AGAIN.
- DID HE FLASH A BADGE? - MM-HMM.
NYPD DOESN'T KNOW IF IT'S REAL OR NOT.
- OR IF IT COULD BE SIEGEL'S.
- CHANCES ARE SLIGHT THAT IT IS,
BUT WE NEED TO CHECK IT OUT.
COULD BE OUR FIRST SOLID LEAD IN TWO WEEKS.
I WANT YOU AND JONES ON THIS.
TWO PEOPLE I TRUST.
WELL, 1 1/2.
- WHO IS THAT?
- UH, NO ONE IMPORTANT.
COME UP WITH SOMETHING TO CATCH THIS GUY.
NOW GO. - YOU SEEM NERVOUS.
- JUST LEAVE, JUST LEAVE.
- HEY.
- NEAL CAFFREY.
- DO WE KNOW EACH OTHER?
- JILL STONE. I STAYED UP ALL NIGHT
READING THE CASE FILES OF YOU TWO.
COULDN'T PUT IT DOWN.
- THE GOOD ONES KEEP YOU UP AT NIGHT.
- MM-HMM. THE BAD ONES EVEN LONGER.
- [chuckles] HE WAS JUST LEAVING.
[clears throat] I WASN'T EXPECTING YOU.
- WE'RE A SECRETIVE BUNCH.
- TELL ME WE'RE LOOKING AT THE SAME THING.
- PETER BURKE UNCOMFORTABLE.
- THAT'S NOT HIS NATURAL STATE.
YOU KNOW SHE'S FBI?
- WELL, IT'S NOT YOUR RUN OF THE MILL SUIT.
NOT THAT SHE EVER WEARS ONE.
LOOK AT THE WAY SHE HOLDS HERSELF.
OPEN. TOTALLY EXPOSED.
- CONFIDENCE AND PLENTY OF IT.
- OOH. OH, THAT'S NOT THE FIRST TIME
SHE'S TOUCHED HIM LIKE THAT.
- UH-UH. - THEY HAVE A PAST.
- LOOK AT HER EYES. ALL OVER HIS FACE.
- YEAH, SHE WANTS TO SEE IF HE STILL FEELS ANYTHING.
- UH-HUH.
- WHOA. - WHOA WHAT?
- THEY SLEPT TOGETHER. - PETER?
- NOT RECENTLY.
- ALL RIGHT, YOU KNOW I HEARD
HE HAD A PRETTY SERIOUS RELATIONSHIP
WITH A FEMALE AGENT DOWN AT QUANTICO.
SHE JOINED SSG.
- THE CIA OF THE FBI?
- THOSE ARE SOME BADASS AGENTS.
- THAT EXPLAINS THE CONFIDENCE.
THAT'S PETER'S EX.
IT HAS TO BE.
- I COULDN'T TALK ABOUT THE CASE IN FRONT OF YOUR WIFE.
- WHITE COLLAR RELATED?
- I'M TRACKING A TECH GENIUS NAMED MASON SADOWSKI.
- DOESN'T LOOK ALL THAT INTIMIDATING.
- IN TODAY'S WORLD THAT'S WHAT TROUBLE LOOKS LIKE.
HE'S PART OF A TEAM THAT INVENTED
A NEW AND EXTREMELY DANGEROUS MICROCHIP
FOR ONE OF OUR TOP DEFENSE CONTRACTORS.
- THEN HE DECIDED HE DIDN'T WANNA SHARE?
- EXACTLY.
- MUST BE A VERY IMPORTANT CHIP.
- SOMETHING TO DO WITH DECODING PASSWORDS.
WITH IT, A TWO-BIT HACKER COULD BREAK THROUGH
OUR MOST SOPHISTICATED SECURITY WALLS.
- LOW-HANGING FRUIT FOR OUR ENEMIES.
- YEAH, HE PUT IT ON THE BLACK MARKET.
I'VE ESTABLISHED A COVER I.D. AS A BROKER FOR IRAN.
- SET THE HOOK YET?
- HE SWALLOWED IT. - GOOD.
- WAITING FOR A BUY TIME TO REEL HIM IN.
MY PROBLEM: MOST BUYERS
REPRESENTING FOREIGN INTERESTS COME IN TWOs.
IN ORDER FOR THE RUSE TO WORK, I NEED A PARTNER.
- SOMEONE WITH UNDERCOVER EXPERIENCE.
SOMEONE YOU CAN TRUST.
- MORE THAN ANY OTHER AGENT IN NEW YORK.
SECTION CHIEF BRUCE HAWES PUT THE ORDER THROUGH PERSONALLY.
- OH, BRUCE, HUH?
- NOT ONLY BRUCE.
YOUR NAME GETS DROPPED A LOT IN WASHINGTON.
- NICE TO HEAR.
- YOU KNOW NEW YORK, AND I DON'T HAVE GPS.
BESIDES, YOU'RE THE BEST. NEXT TO ME, OF COURSE.
- OH, THAT WAS QUANTICO. THIS IS NOW.
- I'LL SET UP THE BUY.
THIS IS GONNA BE FUN.
- GOT THAT TOO. - HERE.
- GOOD TO SEE YOU. - TAKE CARE.
- BYE.
- SHE LEFT PETER WITH A LOT TO THINK ABOUT.
- UH-HUH.
- GET BACK TO WORK!
- AND STILL UNCOMFORTABLE.
OH, HEY, YOU GOT PLANS LATER? - WHY?
- ASAC GAVE US AN ASSIGNMENT.
NYPD INFORMED PETER
SOMEONE MAY BE USING SIEGEL'S BADGE IN BROOKLYN.
- ALL RIGHT, I'LL COORDINATE WITH NYPD.
WE'LL NEED THE PERP'S DESCRIPTION AND HIS M.O.
SO WE KNOW WHAT WE'RE LOOKING FOR.
- OR WE HELP HIM FIND US.
- JILL'S JUST AN FBI AGENT WHO NEEDS HELP ON A CASE.
THAT'S IT. END OF STORY.
- YOU NEVER LOOK AT JONES LIKE THAT.
- DROP IT. - HOLD ON A SECOND.
DOES EL KNOW THAT YOUR OLD EX IS YOUR NEW PARTNER?
- I'M GONNA TELL HER TONIGHT WHEN IT'S MORE RELAXED.
- ALL RIGHT, AT LEAST GIVE UP THE DETAILS.
WHAT BROKE YOU TWO LOVERS UP?
- I DON'T KNOW.
SHE WENT WEST, I WENT EAST.
IT DOESN'T MATTER ANYMORE.
- IT ALWAYS MATTERS. - NO, WHAT MATTERS
IS THAT YOU CATCH THE GUY FLASHING THE BADGE.
- ALL RIGHT, JONES AND I ARE GONNA CRUISE BROOKLYN TONIGHT
IN SHEEP'S CLOTHING, BUT...
- BUT WHAT?
- THE WOLVES NEED A SLEEKER WARDROBE.
YES.
- DROP ME OFF.
- DINNER'S ALMOST READY.
- MM.
HI. - HI.
- JILL CAME TO MY OFFICE TODAY.
- I FIGURED SHE WOULD.
WHY DON'T YOU POUR ME A GLASS OF WINE
AND TELL ME ALL ABOUT IT?
- WHAT KIND OF WINE IS THIS?
- OH, THAT'S THE BOTTLE MOZZIE GAVE US LAST CHRISTMAS
YOU WERE AFRAID TO OPEN. - STILL AM.
[doorbell rings, knocking]
- YOU EXPECTING SOMEONE? - NO.
- OH...HI, ELIZABETH.
UM, WOW, IT SMELLS LIKE ITALY IN HERE.
I FORGOT PEOPLE STILL MAKE DINNER.
- I FORGOT PEOPLE JUST DROP BY.
- I'M SO SORRY I KEEP INTERRUPTING YOU.
I SHOULD HAVE CALLED FIRST, BUT WE'RE JUST KIND OF IN A RUSH.
- "WE"? - OH, PETER.
I FOUND WHERE THE GUY'S HOLED UP,
SO WE GOTTA DO RECON ON THE THING NOW, RIGHT NOW.
- YOU GUYS WORKING ON A CASE TOGETHER?
- THAT'S WHY JILL IS IN NEW YORK.
AND SINCE IT WAS WHITE COLLAR RELATED--
- WHAT'S IT ABOUT? - MM, IT'S CLASSIFIED.
- OH, WELL, NOTHING WE DISCUSS EVER LEAVES THIS HOUSE.
- I'M SORRY, HON.
WE CAN'T DISCUSS THIS ONE.
YOU OKAY? - WHY WOULDN'T I BE?
- I'LL CALL YOU ON MY WAY HOME.
- I'LL TRY TO GET HIM HOME IN ONE PIECE.
- YEAH.
- DO YOU LIVE IN THIS?
- WHEN I HAVE TO.
- ALL YOU'RE MISSING IS A FRIDGE AND A HOT PLATE.
- WELL, I'M THINKING ABOUT PUTTING IN
A FIREPLACE AND JACUZZI. - THAT'D BE NICE.
- HOW COME YOU'RE STILL IN THE FIELD?
I MEAN, YOU HAD BIG AMBITIONS WAY BACK THEN.
I EXPECTED YOU TO BE ASSISTANT DIRECTOR BY NOW.
- I'M ON A WASHINGTON TRACK.
FOR THE TIME BEING, I'M SERVING DOUBLE DUTY.
ASAC AND NEAL'S HANDLER.
I'M PRETTY HAPPY DOING BOTH.
- PETER... - WHAT?
- YOU DON'T HAVE TO PUT UP A STRONG FRONT FOR ME.
YOU WERE THE SUPERVISOR OF AN AGENT WHO GOT KILLED.
I KNOW YOU'RE HURTING.
THE ENTIRE BUREAU IS.
- YEAH.
IT'S BEEN HARD TO SHAKE IT.
- I LOST MY PARTNER EIGHT YEARS AGO.
STILL CAN'T.
- CRUISIN' FOR THE BAD GUY IN A SWEET RIDE,
JUST LIKE CROCKETT AND TUBBS. - AH.
- I AM LIVING THE DREAM.
- DID YOU BASE YOUR ENTIRE FUTURE ON MIAMI VICE?
- AH, HILL STREET BLUES, CAGNEY & LACEY--
ANY SHOW ABOUT LAW ENFORCEMENT.
- I HAD A DIFFERENT PERSPECTIVE.
- LET ME GUESS, ROOTING FOR THE BAD GUYS?
- ONLY WHEN THEY WERE GOOD, CAGNEY.
- WE'VE BEEN DRIVING AROUND FOR ABOUT THREE HOURS.
WHERE IS THIS GUY?
- WE WERE CHASING A COUPLE THAT ROBBED A BANK IN POMONA.
THEY SPLIT UP. I FOLLOWED THE GUY.
EARL WAS FOLLOWING THE GIRL. SHE PRETENDED TO SURRENDER.
SHE SHOT HIM.
- IS THAT WHY YOU WORK ALONE?
- IT WASN'T MY FAULT, BUT IT STILL FEELS LIKE IT WAS.
- SIEGEL USED TO COME TO MY OFFICE
AND JUST WANNA HEAR ABOUT MY OLD CASES.
HE COULDN'T GET ENOUGH.
I BROUGHT HIM HERE FROM CHICAGO.
DAVID WAS MY RESPONSIBILITY.
- CAN'T PROTECT EVERYBODY.
- NO.
- AND YOU CAN'T TAKE THEIR PLACE.
EVEN THOUGH SOMETIMES YOU WISH YOU COULD.
- MM.
- ANY CLOSER TO FINDING THE KILLER?
- NOT YET.
TODAY WE GOT A POTENTIAL LEAD.
- YOU'LL FIND HIM.
JUSTICE IS NOT ALWAYS AS SWIFT AS WE WANT IT TO BE.
- ISN'T THAT OUR GUY?
- YEAH, HE'S OUT OF HIS ROOM. NOW'S OUR CHANCE.
WHAT? - I DON'T KNOW.
BAD FEELING.
- I HOPE WE DON'T GET JACKED BEFORE OUR PERP SHOWS UP.
- HOLD ON A SECOND.
- WHOA, WHAT ARE YOU DOING?
YOU KNOW PETER DOESN'T LIKE FOLKS TOUCHING HIS BUTTONS.
- TRYING TO GET A BETTER VIEW.
LOOKS LIKE YOUR HOPE IS ABOUT TO COME TRUE.
ON YOUR LEFT. - YEAH?
- I NEED YOUR CAR.
OFFICIAL FBI BUSINESS. - YEP.
- GET OUT NOW! CRIMINAL'S GETTING AWAY.
- BE COOL, MAN! - HOW ARE WE
GONNA GET OUR CAR BACK?
- REAL FBI.
HANDS ON THE ROOF.
WHAT DO YOU GOT?
- [exhales]
I WOULD HAVE HAD YOU IF I WORE FLATS.
- WELL, I NEVER KNEW YOU TO MAKE EXCUSES BEFORE.
- OKAY, YOU WON THAT ONE.
SAVOR IT, BECAUSE IT'LL BE YOUR LAST.
- OKAY.
THANKS FOR LETTING US IN. HONEYMOONERS, RIGHT?
ALWAYS FORGETTING SOMETHING.
- SI, SENOR.
- COME ON, LET'S FIND A PLACE TO STASH THE GUN
IN CASE WE GET PATTED DOWN BEFORE THE BUY.
- YOU THINK HE TOOK THE CHIP WITH HIM?
- IF I THOUGHT SO, I WOULD HAVE TAKEN HIM OUTSIDE.
- THEN MAYBE HE LEFT IT HERE.
[door handle jiggles] GIVE ME THE GUN.
[water running]
YOU COULD HAVE HAD ANY ASSIGNMENT YOU WANTED
WHEN WE LEFT QUANTICO.
WHY LOS ANGELES?
- HEY, THAT LOOKS FAMILIAR.
- YEAH.
SAME GUYS WE PASSED ON OUR WAY IN.
THEY MIGHT BE COMPETITIVE SHOPPERS FOR OUR CHIP.
- LET'S FIND OUT WHO THEY ARE.
TAKE A SELFIE LIKE WE'RE A COUPLE ON A DATE.
COME ON, CLOSER.
WE GOTTA SELL IT.
[phone rings]
- NEAL, YOU GOT HIM?
YOU LEFT HIM BLEEDING ON THE SIDEWALK.
- A BULLET IN HIS CHEST.
AN FBI AGENT. - ONE OF US.
- I DIDN'T KILL THE DUDE.
I PULLED THAT BADGE AND GUN OUTTA THE TRASH.
I SWEAR.
- YOU KNOW, WHEN A MURDERER SWEARS,
I TEND NOT TO BELIEVE THEM.
- IT WAS A FRIDAY.
ABOUT A MONTH AGO. WHEN PEOPLE CASH THEIR G-CHECKS.
- OH, YEAH?
WHAT TIME OF DAY WAS IT?
- LATER. ALMOST DARK.
- WHERE WERE YOU BEFORE THAT? BETWEEN 3:00 AND 4:00 P.M.?
- I-I DON'T REMEMBER.
- "I DON'T REMEMBER". WELL, YOU KNOW WHAT?
IT DOESN'T MATTER BECAUSE YOU'VE GOT THE BADGE
AND YOU'VE GOT THE GUN.
- AND YOUR PRINTS ARE ALL OVER THEM.
- YOU'RE GOING DOWN FOR THIS.
- LET'S GO.
MY SKIN IS STARTING TO CRAWL. - NO, WAIT, WAIT.
WHEN YOUR GUY GOT HIT, I WAS INSIDE DANTE'S LIQUOR.
- FOR AN HOUR?
- WAITED TILL IT EMPTIED OUT SO I COULD ROB IT.
THE PLACE WAS CROWDED AND FULL OF CASH ON CHECK DAY.
LOOK, CHECK IT OUT.
THE STORE'S GOT CAMERAS. THEY DON'T LIE.
- GET IN THERE WITH HIM.
HEAD DOWN TO THE LIQUOR STORE. I WANNA SEE THAT FOOTAGE.
- YEAH.
- LOOK, YOU GOT HIM TO TALK.
PETER.
YOU DID EVERYTHING YOU COULD.
- ARE YOU OKAY?
- YOU'RE AWAKE?
- I ALWAYS WAIT UP FOR YOU.
- WELL, SOMETIMES YOU FALL ASLEEP.
- NOT THIS TIME.
TELL ME ALL ABOUT IT.
- IT'S CLASSIFIED.
- OH, COME ON.
IT'S NOT LIKE JILL WILL EVER FIND OUT.
- I CAN'T.
- WE ALWAYS DISCUSS YOUR CASES.
- I KNOW, BUT I--AND I CAN'T WAIT TO TELL YOU ABOUT IT.
BUT...NOT UNTIL IT'S DONE.
- WHAT'S SO SPECIAL ABOUT THIS ONE?
- I'M SORRY, IT'S--
- CLASSIFIED.
- YOU UNDERSTAND, RIGHT?
- OF COURSE I DO.
I'M AN FBI WIFE.
- FACIAL RECOGNITION SCAN
PEGGED THEM AS ERIC HEALEY AND ROBERT BLY.
THEY'RE BOTH EX-BLACK OPS.
THEY'VE BEEN FREELANCING
FOR SOME OF OUR LESSER KNOWN DEFENSE CONTRACTORS.
- THEY'RE HIGH-END MERCENARIES.
- YEAH, IT DOES LOOK LIKE WE'RE NOT THE ONLY ONES
HUNTING OUR GENIUS.
- RIVAL DEFENSE CONTRACTORS
WOULD DO ANYTHING FOR THAT TECHNOLOGY.
I THINK THESE GUYS ARE LOOKING TO BE THE NEW SELLERS.
WHICH MEANS THEY'RE NOT GONNA BUY IT.
THEY'RE GONNA STEAL IT.
- HEY, ELIZABETH BURKE.
BEARING GIFTS IN A BROWN PAPER BAG.
I CAN ONLY IMAGINE.
- OH, IT'S JUST HIS LUNCH.
HE FORGOT IT THIS MORNING.
WHY AREN'T YOU IN THERE?
- UH, SCRATCHED OFF THE NEED TO KNOW LIST.
- YEAH, ME TOO.
- COME ON, LET'S GO IN.
- NO, NEAL, I'M NOT THAT KIND OF WIFE.
- WELL, I'M DEFINITELY THAT KIND OF C.I.
- NO, I'LL JUST LEAVE IT ON HIS DESK.
- ALL RIGHT.
- WHAT DO WE THINK OF THIS JILL?
- THERE'S NEED FOR FURTHER STUDY.
- I THINK SHE'S LONELY.
- WELL, SHE LIVES OUT OF AN '86 CHEVY.
I DOUBT SHE THROWS A LOT OF DINNER PARTIES.
- SHE NEVER GOT MARRIED.
PETER COULD BE THE LAST MAN SHE EVER LOVED.
- 20 YEARS IS A LONG TIME TO GO WITHOUT LOVING SOMEONE ELSE.
- YOU FALL IN LOVE WITH PETER, YOU--YOU ARE IN LOVE.
I CAN'T IMAGINE THOSE FEELINGS EVER GOING AWAY.
NOT COMPLETELY.
- REALLY?
PETER BURKE? THE MAN IN THE CONFERENCE ROOM?
- YOU HAVE NO IDEA.
- THIS IS GOOD.
WE'LL HAVE JONES COORDINATE WITH NYPD.
WE'LL GET A CURRENT LOCATION OF THE SUV.
HE CAN TRAIL IT AND GIVE US UPDATES OF ITS WHEREABOUTS.
- NO. PETER. I THINK I WAS PRETTY CLEAR.
NO ONE ELSE CAN KNOW ANYTHING. NO ONE ELSE CAN BE INVOLVED.
IT'S MY CASE, MY RULES.
- IT'S OUR CASE.
- I BROUGHT YOU IN ON THIS.
DON'T MAKE ME TAKE YOU OFF.
- YOU BROUGHT IT TO WHITE COLLAR,
AND I'M ASAC HERE.
WE'LL DO IT OUR WAY OR YOU'RE OUT.
- YOU'RE NOT SERIOUS.
- THIS FACE DOESN'T LOOK SERIOUS TO YOU?
- OKAY...ASAC.
JONES KEEPS TABS, HE REPORTS BACK TO US,
BUT WE DON'T TELL HIM WHY.
- AGREED.
- [whispers] YEAH.
- I'M GONNA SAY HI TO EL.
- YEP.
- DID YOU CALL HER?
- I DID. EL COULDN'T HAVE BEEN SWEETER.
- THAT'S GOOD, RIGHT? - IT'S TERRIBLE.
WHEN SHE'S UPSET WITH ME,
SHE MAKES HERSELF IRRESISTIBLE AND UNAVAILABLE.
- OH, NICE TECHNIQUE. - DRIVES ME CRAZY.
- ALL RIGHT, GO HOME, TALK TO HER IN PERSON.
- I CAN'T.
JILL'S SETTING SOMETHING UP.
IF I HAVE TO LEAVE EL MID-APOLOGY TO MEET JILL...
- SO JUST ASSIGN A DIFFERENT AGENT TO WORK WITH JILL.
- THIS CASE IS TOO IMPORTANT.
BESIDES, SHE DOESN'T TRUST ANYONE ELSE.
- OKAY.
IS IT ABOUT THE CASE OR IS IT ABOUT JILL?
- I CAN TALK TO JILL ABOUT LOSING DAVID.
SHE'S BEEN THROUGH IT HERSELF.
- AND YOU DON'T WANNA WORRY EL ANY MORE THAN SHE ALREADY IS.
- I DON'T.
SHE'S BEEN THROUGH ENOUGH THIS YEAR.
- ENOUGH TO BELIEVE THAT OTHER BAD THINGS ARE POSSIBLE.
- EL KNOWS THAT I'M IN LOVE WITH HER.
SHE TRUSTS ME. - TRUST?
NOW YOU SEE IT, NOW YOU DON'T.
[phone rings]
- I HAVE TO GO.
THING I CAN'T TALK ABOUT?
IT'S GOING DOWN.
- YOU MUST FOLLOW HIM. - LOOK, I AM NOT FOLLOWING HIM.
I'M NOT FOLLOWING MY HUSBAND.
HE'S NEVER GIVEN ME REASON NOT TO TRUST HIM.
- UNTIL NOW. - MOZZIE.
- YOU CAN TRUST TRUFFLES
HARVESTED IN THE PERIGORD REGION,
BED LINENS HANDWOVEN IN MADEIRA,
AND, FOR THE MOST PART, A TEDDY BEAR NAMED MOZART.
BUT PEOPLE? ALMOST NEVER.
- YOU TRUST NEAL.
- NEAL IS THE REASON
"NEVER" WAS PRECEDED BY "ALMOST."
- I'M NOT FOLLOWING PETER.
- YOU MUST. - I WON'T.
- YOU MUST. - NO.
- THEN FOLLOW THE WOMAN.
OR DOES YOUR INTREPID FAITH IN THE SUIT EXTEND TO HER AS WELL?
- WHAT DO YOU HAVE? - YEAH, PETER.
I FOLLOWED THE SUV TO THE VILLAGE.
THEY JUST PARKED AND WENT INTO A RESTAURANT.
- THANKS, JONES. LET ME KNOW WHEN THEY LEAVE.
- OKAY.
- MERCENARIES JUST WENT INTO A RESTAURANT.
- THAT MEAL SHOULD KEEP 'EM ON THE SHELF UNTIL WE MAKE THE BUY.
- WELL, THEY'RE AFTER THE CHIP.
WHY STOP FOR A MEAL?
- THEY DON'T KNOW OUR BUY'S GOING DOWN NOW.
EVEN BAD GUYS GOTTA EAT.
YOU AND THE MISSUS OKAY?
SHE LEFT THE OFFICE IN KIND OF A HURRY.
- YEAH, SHE WAS JUST DROPPING BY A SANDWICH.
- SWEET.
I DEPEND ON THE KINDNESS OF DELIVERY GUYS.
- YOU NEVER GOT MARRIED?
- WHO WOULD PUT UP WITH ME?
- [chuckles] [phone rings]
YEAH? - YEAH, PETER.
I'VE GOT A BAD FEELING ABOUT THIS.
WE DON'T HAVE EYES ON THE REAR.
REQUESTING PERMISSION FOR A WALK-THROUGH.
- CAN'T HE JUST DO A SIMPLE WALK-THROUGH?
- IT'S NOT PART OF THE AGREEMENT.
YOU TELL HIM TO STAND BY.
- DON'T GO.
- SHE DOESN'T WANT ME TO GO. YOU DO.
- RIGHT. - GOTCHA.
I'M GOING IN. - GOT IT.
- MOZZIE WAS SUPPOSED TO HELP ME, BUT--
- BUNION REMOVAL.
I HEARD ALL ABOUT IT. - OKAY.
THIS IS WHERE I THINK SHE'S STAYING.
I WANT YOU TO COME WITH ME.
- I HEAR SHE STAYS AT THE '86 CAPRICE.
- I SAW A PICTURE OF THEM IN FRONT OF THIS HOTEL.
CLOSE. EXTREMELY CLOSE.
AND SHE LOOKED SMITTEN,
BUT HE LOOKED LIKE HE WANTED TO GO HOME.
- BECAUSE HE'S IN LOVE WITH YOU.
- I KNOW THAT. WHAT I DON'T KNOW
IS HER INTENTIONS WITH HIM.
I MEAN, HE'S NOT AN ORDINARY MAN, BUT HE IS A MAN.
- IF THEY ARE THERE, IT'S FOR THE CASE
AND THAT COULD BE DANGEROUS.
- THAT'S WHY I NEED YOU.
IF YOU DON'T GO WITH ME, I'M GONNA GO ALONE.
- WAIT.
I'LL DRIVE. YOU'RE TOO ANGRY.
- I'M TIRED OF SITTING. LET'S GO.
- WE'RE EARLY.
- WE'LL CATCH HIM OFF GUARD.
- OR TIP HIM OFF.
- I'VE DONE THIS BEFORE, PETER.
- LOOK, THEY'RE PROBABLY NOT EVEN HERE.
OKAY, THEY'RE HERE.
THAT IS NOT WHAT IT LOOKED LIKE.
- IT BETTER NOT BE.
- [sighs] YOU KNOW...
I REALLY THOUGHT I WAS GONNA SEE BOTH OF THEM
SITTING ON STOOLS SO CLOSE TO EACH OTHER THEY WERE TOUCHING.
YOU KNOW, PETER HAVING A BEER
AND JILL HAVING WHATEVER WOMEN HAVE
WHEN THEY'RE SITTING WITH SOMEONE ELSE'S HUSBAND.
- ALL RIGHT, DON'T JUMP TO CONCLUSIONS.
- TOO LATE. ALREADY JUMPED.
- WAIT AT THE BAR. I'LL PULL A ROOM NUMBER
OUT OF THE DESK CLERK.
IF...THERE IS A ROOM NUMBER.
- MERCENARIES ARE GONE.
THEY MUST HAVE I.D.'D US
AND SNUCK OUT THE BACK OF THE RESTAURANT.
I WANT YOU TO PUT THE TAC TEAM ON ALERT.
I'M CALLING PETER.
[phone rings]
- SSG PROCEDURE.
RADIO SILENCE.
- OKAY, START TRACKING PETER'S CELL PHONE NOW.
HE MIGHT BE WALKING INTO AN AMBUSH.
[phone keypad beeps]
[line ringing]
- ELIZABETH. - NEAL.
A MAN FROM PETER'S FILE IS IN THE BAR.
THAT'S WHY THEY'RE HERE. IT WAS THE CASE.
- I TOLD YOU NOT TO JUMP.
- I'M SURE PETER'S LOOKING FOR HIM.
I THINK I COULD STALL HIM.
CALL PETER FOR ME, OKAY?
- ELIZABETH, DON'T DO ANYTHING--
[beep]
- HI. - HI.
- UM, ARE YOU STAYING AT THE HOTEL?
- I'M, UH--YEAH.
YEAH, UH, I'M STAYING. YOU?
- NO. JUST GETTING A DRINK.
ARE YOU IN A RUSH?
- WHAT?
- WELL, SIT WITH ME.
HAVE A DRINK.
- UM...MAYBE LATER?
- WHY NOT NOW?
- I HAVE A MEETING.
UM, HOW ABOUT YOU GIVE ME YOUR PHONE
AND I'LL GIVE YOU MY NUMBER
AND YOU CALL ME IN A 1/2 HOUR?
- OKAY.
- MA'AM, YOUR CHECK.
- OH, THANK YOU.
THANKS.
- ALL RIGHT. - THANKS.
- PROMISE TO CALL? - PROMISE.
NEAL, THAT'S HIM. DID YOU GET A HOLD OF PETER?
- NO. VOICEMAIL.
WAIT HERE.
I NEED TO SEE WHERE THEY'RE GOING.
- OH, NO, I'M COMING.
- ALL RIGHT, TELL ME EVERYTHING THAT HAPPENED.
- WELL, UM, OKAY, I FLIRTED WITH HIM.
HE TRIED TO FLIRT BACK, BUT HE WAS NOT VERY GOOD AT IT.
- KEEP GOING. - HE SEEMED ANXIOUS TO LEAVE.
HE SAID MAYBE MEET UP IN 30 MINUTES
AND HE PUT HIS NUMBER IN MY PHONE.
- HE PUT HIS NUMBER IN YOUR PHONE?
LET ME SEE IT.
- WHAT IS THAT?
- SOME KIND OF NEW MICROCHIP.
ALL PETER TOLD ME WAS THAT IT'S ABOUT SECURITY.
I THINK WE FOUND WHAT HE AND JILL ARE LOOKING FOR.
- [knocking]
- SHOULDN'T HE BE WAITING FOR US?
- LIKE YOU SAID, WE'RE EARLY.
HE'S PLAYING IT COOL.
- HONEY, I TOLD YOU, IT'S THE WRONG ROOM.
- HEY, I SAW YOU THE OTHER DAY.
TAKING PICTURES...OF US.
- [laughs] WE'RE HONEYMOONERS.
- WE THOUGHT THIS WAS OUR ROOM, BUT OUR KEY DOESN'T WORK,
SO I GUESS IT ISN'T.
- THERE'S ONLY ONE ROOM ON THIS END.
- WHOA, WHOA, WHOA, WHOA.
WE DON'T--WE DON'T WANT ANY TROUBLE.
WE'LL JUST BE LEAVING, ALL RIGHT?
- WHAT'S IN THE BAG?
- NOTHING.
CLOTHES.
- OPEN IT.
OPEN IT, OR YOU GO FROM HONEYMOONER TO WIDOW.
- BUYERS OR FEDS.
CASH SAYS THAT YOU'RE EITHER ONE OR THE OTHER.
- THIRD OPTION.
WE'RE NEWLYWEDS
WHO DON'T BELIEVE IN CREDIT CARDS.
- HE'S AN OLD-FASHIONED KIND OF GUY.
- THAT I AM.
- I-I DON'T KNOW WHO HE IS,
BUT SHE'S A BUYER.
THE DEAL WAS SUPPOSED TO GO DOWN TODAY.
RIGHT NOW.
- THE CHIP!
- I HID IT ON A WOMAN DOWNSTAIRS.
- WHAT WOMAN?
- WAIT. WE'RE BOTH BUYERS.
IRANIAN INTERESTS.
WELL, AT LEAST I WAS UNTIL THIS MORNING.
NORTH KOREA CAME CALLING.
OUR PARTNERSHIP WASN'T GONNA MAKE IT PAST THE PARKING GARAGE.
- SON OF A BITCH.
- THEIR COUNTRY WOULD BE VERY GRATEFUL
IF THE TWO OF YOU JOINED OUR TEAM.
EXTREMELY GRATEFUL.
- LOOK, KILL THE BOTH OF THEM.
YOU CAN TAKE THE MONEY.
I'LL CUT YOU IN ON MY HALF OF THE CHIP.
JUST UNTIE ME.
- ALL RIGHT, YOU HAVE TO GO DOWNSTAIRS.
- I HAVE THE CHIP.
I'M GOING IN.
- GIVE IT TO ME. I'LL TAKE IT IN.
- ARE YOU GONNA HELP ME GET IN THERE,
OR AM I GONNA HAVE TO KNOCK?
- LET'S DISCUSS THIS.
- I DON'T KNOW WHO YOU'RE WORKING FOR
OR WHAT THEY'RE PAYING YOU,
BUT THE NORTH KOREANS WILL BEAT IT.
- THEY CAN'T EVEN FEED THEIR OWN PEOPLE.
- SHUT UP.
- WHAT ARE YOU LOOKING FOR, NEWLYWED?
- ALL RIGHT.
YOU NEVER SAW THIS. - WHAT IS THAT?
- IT'S SOMETHING MOZZIE AND I MADE.
NOW GO IN THERE LIKE YOU OWN THE PLACE.
SHOW THEM THE CHIP, BUT KEEP IT AWAY FROM THEM.
OKAY, TRY TO BUY ME 30 SECONDS.
CAREFUL.
- I ASKED YOU A QUESTION, NEWLYWED.
- I'VE GOT WHAT YOU WANT.
- HON, GET OUT OF HERE NOW.
- TH--THAT'S HER.
THAT'S THE WOMAN I STASHED THE CHIP ON.
- HE'S RIGHT.
IT'S, UH--IT'S IN HERE.
IT'S, UM--I HAVE IT.
IT'S, UM--IT'S, UH...
IT'S--IT'S RIGHT HERE. IT'S--IT'S IN THE PHONE CASE.
- HEY!
- FBI.
- OH, THAT WAS INCREDIBLE.
BUT DON'T DO ANYTHING LIKE THAT AGAIN.
- I DON'T KNOW IF I CAN PROMISE THAT.
- ALL RIGHT, WE GOT TWO MEN DOWN.
- ANOTHER TYPICAL DAY AT WHITE COLLAR.
- WELL, I FULFILLED ONE OF MY FONDEST DREAMS.
- YEAH, WHAT'S THAT? - WORKING WITH YOU.
- AW. - IT WAS FUN.
- WE DID TALK ABOUT THAT AT QUANTICO A LOT.
IT LIVED UP TO EXPECTATIONS.
- BUT YOU HAD BIGGER DREAMS BACK THEN.
- WASHINGTON.
- SOON?
- ONCE I'VE TIED UP ALL THE LOOSE ENDS HERE.
YEAH.
I CAN'T JUST BRING ANYONE IN TO BE NEAL'S HANDLER.
I GOTTA MAKE SURE THEY'RE UP TO THE TASK.
- PETER. - WHAT?
- THERE'LL ALWAYS BE LOOSE ENDS.
- YEAH.
YEAH, AND THERE'S ONE YOU MIGHT BE ABLE TO HELP ME WITH.
UH, THIS ONE IS A COLD CASE
THAT HAS BEEN GNAWING AT ME FOR 20 YEARS.
WHY CALIFORNIA?
YOU WERE TOP IN OUR CLASS.
YOU COULD HAVE HAD ANY ASSIGNMENT YOU WANTED.
- I TOOK AN ASSIGNMENT.
FIRST FEMALE SSG AGENT ON THE WEST COAST.
HOW COULD I TURN THAT DOWN? - I WOULDN'T HAVE STOPPED YOU.
- YOU WANTED NEW YORK.
D.C. THAT WAS YOUR DREAM.
- YOU RAN.
- YOU DIDN'T CHASE AFTER ME.
- YOU WOULD HAVE JUST RUN FASTER.
- YOU'RE RIGHT. I WOULD HAVE.
AT LEAST THIS WAY WE CAN REMEMBER QUANTICO
AS THE BEAUTIFUL THING IT WAS.
- LET'S DO THAT.
WHERE YOU HEADED?
- OFF TO MIAMI. ANOTHER CASE.
- WELL, I HOPE ANOTHER CASE BRINGS YOU TO NEW YORK AGAIN.
- YEAH, MAYBE I'LL BRING MY EL WITH ME.
MALE EDITION. - GOOD LUCK FINDING ONE.
SHE'S ONE IN A MILLION.
- DON'T BE AFRAID TO TALK TO HER, PETER.
ABOUT ANYTHING.
- I SHOULD HAVE TALKED TO YOU ABOUT THIS A LONG TIME AGO,
BUT I CAN'T STOP THINKING ABOUT HIM.
I CAN'T SHAKE THE FEELING THAT IF I HADN'T BECOME ASAC
HE'D STILL BE ALIVE.
- JUST TRUST ME, OKAY?
- CAN I OPEN MY EYES? - NO, YOU CAN'T.
STEP DOWN--CURB. CURB. CURB.
THERE YOU GO.
IT'S NOT THAT BIG OF A CURB.
- I DON'T LIKE SURPRISES. THEY NEVER TURN OUT GOOD.
- ALL RIGHT, WE'RE ALMOST THERE.
- YOU KNOW, YOU SHOULD KNOW THAT
WALKING THE STREETS OF NEW YORK BLIND
IS A RECURRING NIGHTMARE OF MINE.
- YOU CAN OPEN YOUR EYES.
- IT'S THE WINDOW FROM THE CODEX.
HOW DID YOU EVER FIND IT?
- AGENT GRUETZNER USED SOME OF HIS UNDERWORLD CONTACTS.
- IT'S BEAUTIFUL.
NOT PROFESSIONAL.
- NO.
NOT PROFESSIONAL AT ALL.